Showing posts with label Paper 2A. Show all posts
Showing posts with label Paper 2A. Show all posts

Wednesday, August 21, 2019

English Literature, Elective 2, Paper 2B, 19th Century American Literature, MA 2, Mumbai University

Semester III
Course: Elective II
Course Title: Nineteenth Century American Literature Paper II- B

Course Title: Nineteenth Century American Literature

Preamble: The course caters selected literary expressions of 19th century American Literature to the students with the view to familiarize them with major authors, texts and contexts. It seeks to provide an overview of the socio-political movements and texts that led to the evolution of American Literature as an independent branch. It also provides the students an opportunity to develop analytical/critical perspectives on the texts which reflect social, cultural and intellectual climate of the period.

Objectives:

1.To appreciate American literature by reading aesthetically and not just for knowledge/information
2.To discern and analyze the rhetorical strategies that American authors employ
3.To initiate serious engagement with the texts through close reading and analytical writing
4.To develop and demonstrate an awareness of the significance of literature and of literary forms in the 19th century American context
5.To hone their skills in interpretation and research.

Unit 1: Important Terms and Concepts 
Romanticism and Transcendentalism,
American Civil War and its Impact on Literature,
Realism, Naturalism, Local Colour Movement,
19th century American women writers

Unit 2: Poetry

Walt Whitman:
“I Hear America Singing” “Thoughts” “I Sit and Look Out” “A Glimpse” “All is Truth”

Emily Dickinson:
“Because I could not Stop for Death” “I Heard a Fly Buzz – When I Died” “Hope is the Thing with Feathers” “A Bird Came Down the Walk” “A Light Exists in Spring”

Unit 3: Novel
Louisa May Alcott: Little Women
Herman Melville: The Confidence Man

Unit 4: Short Stories


Stephen Crane : “A Little Pilgrim” “The Angel Child”
Edgar Alan Poe : “The Gold Bug” “The Mask of the Red Death”
Kate Chopin : “The Storm” “The Locket”

References

1.Abel, Darrel. Ruined Eden of the Present: Hawthorne, Melville, and Poe: Critical Essays in Honor of Darrel Abel. eds. G.R. Thompson and Virgil L. Lokke. West Lafayette: Purdue UP, 1981.
2.Barrish, Phillip. American Literary Realism: Critical Theory and Intellectual Prestige, 1880-1995. Cambridge: Oxford U P, 2001.
3.Bell, Michael Davitt. The Problem of American Realism. Chicago: U of Chicago P, 1993.
4.Belluscio, Steven J. To Be Suddenly White: Literary Realism and Racial Passing. Columbia, MO: U of Missouri P, 2006.
5.Buell, Lawrence. Literary Transcendentalism: Style and Vision in the American Renaissance. Ithaca, NY: Cornell Uni Press, 1986.
6.Chase, Richard. The American Novel and Its Tradition. Garden City, N. Y.: Doubleday Anchor, 1957.
7.Elliot, Emory., and Cathy N. Davidson, eds. The Columbia History of the American Novel. New York: Columbia University Press, 1991.
8.Myerson, Joel, ed. The Transcendentalists: A Review of Research and Criticism. New York: Modern Language Association, 1984
9.Lewis, R. W. B. The American Adam: Innocence, Tragedy, and Tradition in the 19th Century. Chicago: Uni Chicago Press, 1955.
10.Pattee, Fred Lewis. The Development of the American Short Story. [1966] New York: Harper, 1923.
11.Pizer, Donald. Realism and Naturalism in Nineteenth Century American Fiction. Carbondale: Southern Illinois U P, 1966.
12.Warren, Joyce W., ed. The (Other) American Tradition: Nineteenth-Century Women Writers. New Brunswick, NJ: Rutgers University Press, 1993
13.Winter, Molly Crumpton. American Narratives: Multiethnic Writing in the Age of Realism. Baton Rouge, LA: Louisiana State UP, 2007.
14.White, Barbara a., American Women's Fiction, 1790-1870: A Reference Guide. New York: Garland Pub., 1990.  

Syllabus as per Choice Based Credit System: 
i) Name of the Program : MA English (Regular) Part II, Semester III, Elective II 
ii) Course Code : PAENG302  
iii) Course Title : Nineteenth Century American Literature 
iv) Semester wise Course Contents : Enclosed the copy of syllabus 
v) References and Additional References : Enclosed in the Syllabus 
vi) Credit Structure : No. of Credits per Semester -06  
vii) No. of lectures per Unit : 15  
viii) No. of lectures per week : 04 2. Scheme of Examination: 4 Questions of 15 marks each  

Evaluation Pattern: Internal Assessment (40 Marks): 
Sr. No. Particulars Marks  

1.  One written assignment/research paper on the text suggested by the teacher for Internal Assessment -
10 Marks
 Presentation on the written assignment/research paper  -
05 Marks
Viva voce based on the written assignment/research paper  05 Marks  
Total=20 Marks  

2. One Internal Test based on the syllabus (one out of three questions) 20 Marks  

Semester End Examination (60 Marks):  
Semester-End Examination Duration: 2 Hours 60 Marks  
Question 1 – Unit 1: Essay on Terms (one out of two) :15 Marks  
Question 2 – Unit 2: Essay on Poetry (one out of two) :15 Marks  
Question 3 – Unit 3: Essay on Novel (one out of two) :15 Marks 
Question 4 – Unit 4: Essay on Short Stories (one out of two) :15 Mark 

English Literature, Elective 2, Paper 2A, Gendered Perspectives on Literature, MA 2, Mumbai University

University of Mumbai  
Syllabus for M. A. English Program: 
Part II Semester III Course: Elective II  
Course Title: Gendered Perspectives on Literature Paper II-A 

Course Title: Gendered Perspectives on Literature  

Preamble: While issues of gender, race, class and nation are closely enmeshed, gender roles are inscribed in social forces rather than in natural or innate differences. The course on Gendered Perspectives on Literature articulates contemporary concerns, both academic and socio-cultural, on this subject. It exposes literary texts as a microcosm of beliefs and values that engineer gender ideologies and generate stereotypes; it also explores the contesting or subversion of such ideologies and stereotypes by examining contemporary debates in the study of gender and sexuality as reflected in literature. The course further addresses the patterned gender representations and the politics of departure from these locations. In the light of intense debates the world over, on the above issues, the need for such a course at the post-graduate level is self-evident.  

Objectives:  
1.To open up avenues in gender studies, including women’s studies, by acquainting learners with their complexities and diversity, especially in the constructs of gender and sexuality  
2.To encourage learners to interrogate rigid frameworks of gender construction while sensitizing them to the process of socialisation and naturalization of gender  
3.To enable learners to critically evaluate literary texts from a multivalent gender perspective  
4.To explore the thematic and aesthetic concerns in identifying subversive strategies employed by literary writers.

Unit 1: 
Critical Theory related to Gender, (Feminist Thought, Masculinity Studies, Queer/LGBT Theory); 

Critical Approaches (Re-reading, Re-visioning, Gynocriticism, Trans-Criticism etc.); 
Gender in theories of popular culture 

N.B. The topics mentioned above will be introduced in the classroom. Students will then be expected to carry out a more detailed study of them independently.  

Unit 2: Poetry: 
Catherine Acholonu :“The Market Goddess” “The Way from The Spring’s Last Drop (1985)” 
Arundhathi Subramaniam :“Meenakshi” “5:46, Andheri Local” 
Sylvia Plath :“Daddy” “Lady Lazarus” W.H.Auden: “The Common Life” “Lullaby”
Countee Cullen: “Tableau” “Heritage”    

Unit 3: 

Fiction: 
1. Reading Lolita in Teheran by Azar Nafisi  
Or The Awakening by Kate Chopin  
2. Persepolis by Marjane Satrapi  
Or Writing Caste, Writing Gender, Narrating Dalit Women’s Testimonies (ed) Sharmila Rege  

Unit 4: 

Drama 
1. Sakharam Binder by Vijay Tendulkar  
Or Tara by Mahesh Dattani  
2. Angels in America: A Gay Fantasia on America by Tony Kushner  
Or A Streetcar named Desire by Tennessee Williams

Critical essays:  
Terry Eagleton :“Literary Theory: An Introduction” :“After Theory”  
Julia Kristeva : “About Chinese Women”  
Gayatri C Spivak :“French Feminism in an International Frame” :“Can the Subaltern Speak?”  
Judith Butler :“Gender Trouble”  
Luce Irigaray :“The Sex Which is Not One” :“Speculum of the Other Woman” 
Michael S Kimmel :“Masculinity as homophobia: Fear, Shame and Silence in the Construction of Gender Identity  
Andrea Dworkin : “Pornography: Men Possessing Women”
Vandana Shiva & Maria Mies :“Ecofeminism”  
Jonathan Culler :“Reading as a Woman” (from “On Deconstruction: Theory and Criticism After Structuralism”) 
Gayle Greene & CoppĂ©lia Kahn :Introduction to Making a Difference 

Fictional Texts:  


Mahesh Dattani – A Muggy Night in Mumbai
•Vijay Tendulkar - A Friend’s Story
•Toni Morrison – The Bluest Eye
•Alice Walker - The Color Purple
•Virginia Woolf - Orlando
•Shyam Selvadurai - Funny Boy
•Madeleine Miller - The Song of Achilles
•Jeffrey Eugenides - Middlesex

Films:
•Brokeback Mountain Priscilla, Queen of the Desert  
The Danish Girl  
Bird on a Wire  
Transamerica  
Fire 
Pretty Woman 

References
1.Auerbach, Nina. Communities of Women: An Idea in Fiction. Cambridge, Mass.: Harvard University Press, 1978.
2.Barrett, Michele. Women and Writing. London: Women’s Press, 1979.
3.Berger, John. Ways of Seeing. London: BBC, 1972
4.de Beauvoir, Simone. The Second Sex. New York: Vintage, 1974.
5.Fetterley, Judith. The Resisting Reader: A Feminist Approach to American Fiction. Bloomington: Indiana University Press, 1978.
6.Forbes, Geraldine. Women in Modern India. (The New Cambridge History of India). New Delhi: Foundation Books, 1996
7.Gilbert, Sandra and Susan Gubar. The Madwoman in the Gothic: The Woman Writer and the Nineteenth Century Literary Imagination. New Haven: Yale University Press. 1979.
8.Jacobus, Mary. Reading Women: Essays in Feminist Criticism. London: Methuen, 1986.
9.Jasbir Jain and Sudha Rai. Films and Feminism: Essays in Indian Cinema. Jaipur: Rawat Publications, 2002
10.Loomba, Ania. Race, Gender and Renaissance Drama. New Delhi: Oxford India Paperbacks. 1992.
11.Millett, Kate. Sexual Politics. New York: Doubleday. 1970.
12.Moers, Ellen. Literary Women: The Great Writers. New York: Doubleday. 1976.
13.Neuberger, Julia. Whatever’s Happening to Women? Promises, Practices and Payoffs. London: Kyle Cathie Limited, 1991.
14.Rich, Adrienne. On Lies, Secrets and Silence: Selected Prose 1966-1979. NY, London, 1979.
15.Sangari, Kumkum and Sudesh Vaid. Recasting Women: Essays inColonial History. Delhi: Kali for Women, 1989.
16.Sangari, Kumkum. The Politics of the Possible: Essays on Gender, History, Narratives, Colonial India. New Delhi: Tulika, 1999.
17.Schor, Naomi. Reading in Detail: Aesthetics and the Feminine. NY: Routledge, 1989
18.Sedgewick, Eve. Between Men: English Literature & Male Homosocial Desire. Columbia: 1992.
19.Tharu, Susie and K. Lalitha. Ed. Women Writing in India Vols. I & II. New Delhi: OUP, 1995.
20.Walker, Alice. In Search of our Mother’s Gardens: Womanist Prose. San Diego: Harcourt Brace Jovanovich, 1984.

1. Syllabus as per Choice Based Credit System 
i) Name of the Program : M.A. English (Regular) Part II, Semester III, Elective II
ii) Course Code : PAENG302  
iii) Course Title : Gendered Perspectives on Literature
iv) Semester wise Course Contents : Enclosed the copy of syllabus  
v) References and Additional References : Enclosed in the Syllabus 
vi) Credit Structure : No. of Credits per Semester -06  
vii) No. of lectures per Unit : 15 
viii) No. of lectures per week : 04 

2. Scheme of Examination: 4 Questions of 15 marks each 
3. Special notes , if any: No  
4. Eligibility , if any : No  
5. Fee Structure : As per University Structure 

Semester End Examination (60 Marks):
Question 1: Essay on Unit 1 (one out of two) : 15 Marks
Question 2: Essay on Unit 2 (one out of two) : 15 Marks
Question 3: Essay on Unit 3 (one out of two) : 15 Marks
Question 4: Essay on Unit 4 (one out of two) :15 Marks

Evaluation Pattern:  
Internal Assessment (40 Marks): 
Sr. No. Particulars Marks  
1. One written assignment/research paper on one of the texts suggested by the teacher for Internal Assessment -10 Marks
Presentation on the written assignment/research paper  -05 Marks
Viva Voce based on the written assignment/research paper - 05 Marks  
Total=20 Marks  

2. One Internal Test based on the syllabus (one out of three questions) 20 Marks  

Suggestions for Internal Assessment – Written Assignment/Research Paper (One or more of the following texts could be taken individually or in conjunction. These are only suggestions,other texts may be used)